2019 has been pretty wild so far.

  • I recorded an interview with Future for Beats One Radio that aired for his on-air album release event last month. You can listen to the entire interview on Apple Music, and some excerpts here.
  • Samaria, an artist signed with Republic Records released my mix of “Useless”. She’s a young artist with a promising career ahead of her and I was flattered that she put out the “rough mix” at the end of the session.
  • SAFE also dropped a single I recorded. He’s a rapper from Toronto signed with Bando Records who built quite a following.
  • Although I rarely record audiobooks, some books I recorded last year have gotten a good amount of attention. The Beastie Boys Book was released late last year with the audiobook featuring lots of incredible narrators including Steve Buscemi, Elvis Costello, Chuck D, Michael Diamond, Snoop Dogg, Will Ferrell, Adam Horovitz, LL Cool J, Spike Jonze and many others. My location recording rig went on it’s longest journey yet to Rev Run’s house to record his contribution to the project. It has since been nominated for Audiobook of the Year by the Audio Publisher’s Association. In fact, a handful of books I recorded last year were nominated for Audies, including: The Tattooist of Auschwitz, narrated by Richard Armitage, nominated for Best Fiction, Sadie, narrated by a very large cast (including myself!), nominated for Best Multi-Voiced Performance, and Best Young Adult Work and Black Star Renegades narrated by Dan Bittner, nominated for Best Science Fiction.
  • B Boys released their live performance at Rough Trade that I recorded last year in partnership with Brooklyn Brewery and their label, Captured Tracks. They were gracious enough to send me one of the 500 vinyl pressings of the album. It’s the first time a project I’ve worked on has made it to Vinyl. It’s a cool feeling for sure.
Blue vinyl!
  • I used my location rig as a digital FOH console for a live event at Douglass Recording with performances by Jukebox the Ghost, and Earthquake Lights! Digital consoles for FOH normally aren’t my thing, but I actually really enjoyed it. Of course, it always helps when there’s a fun group on stage. You can watch the performance which was streamed live on Youtube here.
FOH mixing on the computer
  • I was back at Birdland recording a live album by Ann Hampton Callaway singing the songs of Linda Rohnstadt. Keep an eye out for that release!
I got my own table!
  • The rig now has tube power! I built Five Fish Audio’s VT-73 – their discrete microphone pre-amp that uses a combination of tube and solid state for gain. It sounds great, and was a pretty simple build. The DOA didn’t scare me away.
  • And as always, I’m always at my usual haunt Pete’s Candy Store for live recordings.

Looking forward to the rest of the year!